Why does 66yr-old Alma return to the family house, where her young son died, every night to feed stray cats?
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“If you’re old enough to be able to read this, the chances are you’ve already experienced grief at some point in your life. Grief is cunningly multifaceted and can manifest as overwhelming disappointment for a toddler who’s dropped his ice cream, unbearable despair for a teen after a breakup, or excruciating emptiness after the loss of an elderly relative as an adult. Yet, the grief that follows an unnatural or untimely death is a whole other ball game. It’s a toxic blend of rage and sorrow that refuses to be defined by stages and leaves a trail of invisible scars in its wake. Directed by Todd Karehana, Loading Docs short Night Ride is a deeply personal study of the aftermath of a family tragedy, and the ways in which it continues to affect those touched by it decades after it happened.
Don’t be fooled though, this is not the tearjerker you might expect (although you should probably keep the tissues nearby just in case). In fact, Night Ride is a joyous documentary brimming with levity and love, passionately pieced together with a subtle and superbly perceptive touch. By dodging clichéd narrative beats and leaving plenty of blanks unfilled, Karehana has crafted a profoundly tender story straight from the heart. One filled with so much substance, it’s impossible not to be gripped and moved by it.
The documentary follows Todd Karehana as he seeks answers from his 66-year-old mother Alma, as she keeps returning to their old family home every night to feed stray cats. Suspecting that her unusual hobby is somehow linked to his brother’s death, who passed away in that house when he was just a child, the director embarks on a nighttime rescue mission with his mum. Together, the somewhat comedic detective duo attempt to capture Fluff, Alma’s most beloved cat, which unless caught would be put down by the local animal charity.
When we asked Karehana what sparked the idea for the documentary, the director explained that it stemmed from his mother’s curious fascination with the stray cats. “On a personal level, making this film was part of my emotional process of understanding my mum. I was able to go on a journey with her through the making of this film and I now have a deep appreciation for Fluff and the other cats in her life. My brother’s death affected each of us differently, and during this process I learnt that grief manifests in unexpected ways”.
Aesthetically, the documentary is rather unassuming. Save for a couple of drone shots, the footage isn’t particularly cinematic, most of it is graded in black and white, filmed in the dark and without a fancy cut or transition in sight. What there is plenty of is shaky, handheld camerawork, predominantly shot from the backseat of a car or crammed inside a small kitchen. Even the music, which features sparsely, feels more like an integral part of the story than a score for it. The decision to have a low-key production was undoubtedly a deliberate one as Karehana’s main focus was on depicting the relationship with his mum authentically and allowing the narrative to unfold organically. With such a strong focal point, the usual filmmaking prodding and cues, and overly polished production simply become obsolete. [Continue reading on shortoftheweek.com] – S/W Curator Serafima Serafimova
Director of Photography – Peter Simpson
B-Cam Operator – Kaitiaki Rodger
Sound Recordist – John Gray
Editor – Brendan Chan
Composer – Mike Newport
Executive Producer – Julia Parnell
Consulting Producer – Anna Jackson
Producer – Juliette Veber
Marketing Manager – Christopher Connolly
Post Production Facility – Department of Post
Post Supervisors – James Brooks, Amelia Watts
Colourist and Online Editor – Joss Hardman
Re-recording Mixer – Shivnesh Sumer
Reproduced on this channel with the permission of the filmmakers.